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8 January 1836 – 25 June 1912. Most renowned painters.

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Master of Moulins
Anne of France presented by Saint John the Evangelist

ID: 32397

Master of Moulins Anne of France presented by Saint John the Evangelist
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Master of Moulins Anne of France presented by Saint John the Evangelist


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Master of Moulins

French 1480-1500 Master of Moulins Gallery Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.  Related Paintings of Master of Moulins :. | Portrait of Margaret of Austria | Mary Magdalen and a Donator | The Nativity of Cardinal Jean Rolin (mk08) | The Dauphin Charles Orlant | Coronation of the Virgin (nn03) |
Related Artists:
Jorg Breu the Elder
(c. 1475 -- 1537), of Augsburg, was a painter of the German Danube school. He was the son of a weaver. He journeyed to Austria and created several multi-panel altarpieces there in 1500-02, such as the Melk Altar (1502). He returned to Augsburg in 1502 where he became a master. He travelled to Italy twice, in ca. 1508 and in 1514/15. After his death in 1537, his son, Jörg Breu the Younger continued to lead his Augsburg workshop until his own death 10 years later.
Felix-Auguste Clement
French, 1826-1888
Jean Malouel
Niemegan before 1370-Dijon 1415






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